NewYorker Cover is Illuminati Taunt


July 1, 2017


On Independence Day, 
the Illuminati bankers
are saying 
the American Dream is dead. 
by Henry Makow Ph.D.
The latest cover of The NewYorker magazine (July, 3, 2017) grabbed my attention the moment I saw it. (I subscribe to the magazine.)
It refers to Tuesday July 4, American Independence Day. I put the cover on my Twitter Feed and commented, “this is how Cabalists say, up yours.”
Why is that? The NewYorker is owned by the Newhouse Media Group which is part of the Masonic Jewish near-monopoly on information and discourse. It peddles the Illuminati (i.e. Communist) agenda.
Superficially, the cover is about diversity. “It’s a beautiful image of a patriotically-attired young lady all set to enjoy the holiday weekend,” one reader responded to my post.
Indeed, what’s wrong with a black girl in an American freedom pose?
But diversity isn’t really about diversity. “Cabalists empower minorities to dispossess European Christian majority,” I also tweeted. “They care nothing about minorities.” The Communist faction of the Masonic Jewish establishment are anxious to  get rid of Trump because he appears to represent national interests. The painting is entitled “Bright Star” a possible reference to Lucifer which is “morning star” in Latin. 
This cover isn’t about American independence. It’s about European dispossession.


The girl isn’t attractive. She looks like an alien or an insect.
If this were really a celebration of US independence, diversity and “inclusiveness,” she would have been attractive.
The real meaning is found in the stars on her bathing suit and the stripes on the ball. The message is that America no longer belongs to Americans of European origin.
America belongs to her. Her arrogant expression and the way she holds the ball say “possession.”
But WAIT, she is only the face of European Christian dispossession. She is only a pretext, a ruse.
That insect alien is not her. That is the face of the satanist banker. 
The Illuminati are taunting us.  They are saying, “We own the media, corporations, politicians and education. We own you. We own the future. The American Dream is dead.
They don’t own our hearts and minds. The Dream is not dead.


First Comment by Kathy:
 I agree with your assessment re the cover of the New Yorker.  What clinches it for me is the reflection in her sunglasses.  The former, quintessential all-american girl (white and long blonde hair) is taking the picture.   Looks like the what was once considered the all-american girl is being replaced. [Another reader suggests this is the grim reaper.]
MM writes:
Looks like a tranny to me. Muscular shoulders wider than hips, no figure and waist indentation at the hips, large hands, flat chested. Note the extended pinky of left hand, giving a subtle devil’s horn.
Anon writes:
First, let’s get one thing straight (Pun Intended.)  The number one reason “she” looks so alien is because it is not a she at all.  Composite image or not -that is a boy.  Can’t believe it?  They’ve been getting away with this kind of degradation for decades for that very reason.  The viewers eye is drawn first to the ball and bathing suit, then to the sunglasses; probably without noticing within them, the girl divided against herself.  This is a great way to keep our attention off those high, broad shoulders and freakishly long man-arms.  Seriously, there’s not a real woman on Earth with arms like that.  We won’t notice the long torso with low-set male hips either.  There’s an angle to the jaw and a male brow ridge can even be seen above the glasses… If this were a simple photograph, I’d say that maybe the shadow over the neck is so we won’t notice the remains of his shaved down Adam’s apple.  That’s a trick from Old Hollywood.  That is a trannified boy.
There seems to be an interplay of 2’s and 3’s on this cover.  Charles’ (in comments) mention of the “fanciful” hairstyle is spot on.  Rather insectile, it expands the otherwise singular head into a triad.  I hope I’m wrong, but those afros look more like one big plume of smoke…  And, I hope I’m wrong, but “grill-man” looks like he’s holding a golf club rather than an (upside down) spatula; and the grill cover looks more like a tombstone if you ask me.  Also he’s got two  wrinkles on the back of his shirt that make the number 11.   Just above, “the girl” is holding her left hand in the symbol of baphomet horns, otherwise known as a triad claw.  This is also the letter “M”, the 13th letter of the alphabet, indicative of murder.  The hand holding the ball has three fingers visible and there are three trees in the bottom left corner above cannonball-guy and snorkel-boy.  The date is July 3rd.
As for what’s going on below the umbrella, I’m not entirely certain.  There are three heads and the first one to the left of “grill-man” seems to be fading into the woodwork.  As for the other two, one is wearing  shades and the other has no discernible face.   Above them on the underside of the umbrella there are three lines intersecting two more which make another 11, mirroring what’s on the back of “grill-man’s” polo shirt.
The vent on the “tombstone-grill-cover” is also an 11.  That’s Three 11’s side by side in the bottom right corner.
That’s 33.  And that’s a triad claw looming above it, on the hand of Tranny-McManny with the smoky hair.  And once again, the date is July 3rd.

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